You can also keybind the Restore Selection to initial state, which is great. You can make a selection, and restore just the audio in the selection back to any point in the history box. The second best feature for me personally is the "restore selection" feature. I imagine this is the biggest feature for those that use RX for music as Dialogue Isolate and Ambience Match is more production Dialogue focused. It doesn't give as much control as Abstentia, but the workflow is 10x faster and more convienient (again can be used as an insert). The new dynamic Dehum so far has worked great, it's simple, quick, lightweight (works as an insert as well), and unlike processing with Spectral Denoiser using the tonal reduction, it keeps the integrity of the broadband noise intact, which is what I loved about Abstentia DX. I was actually disappointed when iZotope advertised an improved DeHum for RX 8 and it wasn't similar in function to Abstentia DX last year (Does anyone actually use the Adaptive mode on the static Dehum?). I've really been wanting iZotope's take on Abstentia DX, which is what I used previously on complex hums/buzzes for dialogue.
IZOTOPE 8 ADVANCED VS. STANDARD UPGRADE
iZotope sets a standard – again.I think I paid $150 to upgrade to RX9 Advanced (Technically upgraded the Post Production Suite from 5 to 6).Ĭoming from Post Audio and not necessarily a music perspective: Although the auto functions seem to be a surprisingly successful first step, it will be interesting to see what future AI type additions can improve in our daily nitty gritty. iZotope seems to always successfully find new useful features to its suite that test the limits of the possible. Ozone meets todays mastering standards perfectly with its new features, that work really well, especially the auto functions and possibility to connect to Neutron. Matching the Ozone Auto Mastering function, Neutron also has the automix function, with presets and your own references.
You can simply access the FX EQ directly from the Tonal Balance PlugIn which can dramatically improve your overall sound. Or with mastering, when you realize that your FX track sounds too muffled in the overall mix it’s not necessary to fiddle with the whole track which could lead to an unbalanced mix. When the kick overlaps with the bass it is possible to nicely separate these, as you can see in which areas they interfere. In order to compare two tracks and to find and eliminate spectral overlaps you can display the EQs of two tracks in one PlugIn. This basically means that the PlugIns can communicate with each other.
Interconnection with Neutron 2 and Tonal Balance Control “ I WANT TO SOUND LIKE REFERENCE TRACK … ” is possible. Besides using presets you can furthermore use own references. Works great with music, but also for Imaging – give it a go.Ī big one is the NEW AUTO MASTERING function or so called Mastering Assistant: The spectral balance and the dynamics of a track are analyzed and then adapted. The limiter no longer only works level-oriented, but is also geared for loudness (LUFS).Īnother really practical feature is that it is possible to import a REFERENCE TRACK to your project which lets you quickly switch between the reference and your own song or imaging piece.
This is the lite version of the limiter which doesn’t use up as much CPU allowing you to produce into the limiter and then switch to the “big” IRC 4 whilst bouncing. This could be implemented in a situation where your VO doesn’t cut through your Imaging, enhancing the clarity of your VO track.Īlso new is the LIMITER ALGORITHM IRC LL. to bring out vocals more clearly within the track. So we now have the SPECTRAL SHAPER to dynamically edit a frequency band, e.g. Making your Master sound better than ever!įor a start, the new design includes modern digital modules, as well as vintage ones which authentically recreate analog hardware appliances. So what’s the latest with Ozone 8?Ĭan you take your Imaging and Music Production to the next level with the Ozone 8 Advanced? I think yes, but we want to give you an overview of some of its new features, focusing on auto mastering, integrated reference tracks and PlugIn interconnection and communication. As you know we have always been big fans of all the iZotope products and Ozone stood out for me forever.
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